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The studio functions as a parallel and foundational component of my public practice.
Ideas developed through drawing and material studies often translate into spatial strategies, formal language, and conceptual frameworks within larger-scale projects. In this way, the studio becomes a space where speculative thinking and experimentation shape the direction of public work.
Works held in private, corporate, and institutional collections including the Center for Contemporary Political Art in Washington, D.C., the John M. Belk Endowment, and Moore & Van Allen.
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